By Karol Berger

ISBN-10: 0520250915

ISBN-13: 9780520250918

ISBN-10: 0520257979

ISBN-13: 9780520257979

during this erudite and skillfully composed argument, Karol Berger makes use of the works of Monteverdi, Bach, Mozart, and Beethoven to aid groundbreaking claims: first, that it was once in simple terms within the later eighteenth century that track started to take the stream of time from the previous to the longer term heavily; moment, that this transformation within the constitution of musical time used to be a side of a bigger transformation within the method trained Europeans started to think and view time with the onset of modernity, part of a shift from the premodern Christian outlook to the trendy post-Christian worldview. until eventually this old second, as Berger illustrates in his research of Bach's St. Matthew ardour, tune was once easily "in time." Its successive occasions spread out one after one other, however the contrast among prior and destiny, prior and later, was once no longer primary to the best way the song was once skilled and understood. yet after the shift, as he reveals in Mozart's Don Giovanni, the adventure of linear time is reworked into music's crucial subject material; the cycle of time unbends and turns into an arrow. Berger enhances those musical case stories with a wealthy survey of the philosophical, theological, and literary developments influencing artists in this period.

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Bach’s Cycle, Mozart’s Arrow: An Essay on the Origins of Musical Modernity by Karol Berger

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